Posts Tagged ‘sharpie pens’

Sharpie Pen (original) Review

For most of my writing, I use Sharpie pens,┬áthe original kind, black ink, and I have to say, I’m pretty pleased with them. My writing is always smooth, and doesn’t smear. I write in cursive, and my handwriting is small (to give you an idea, capitol letters don’t touch the top of the line when I write on Moleskine-ruled squared paper), which makes this fine point really nice–with wider points, my letters run together and become rather illegible.

In Moleskine notebooks, which I’ll use as a standard since most pen and paper aficionados are familiar with them, the ink shows through to the other side of the page, but almost never bleeds through to the next page. The show-through could be written over on the backside of the page, for those less picky than I, but when using these with Moleskines, I only write on one side of the paper.

My biggest problem with these pens is the grip, or lack thereof. There’s a hard edge that my finger hits if it gets too close to the end of the pen. Depending on how you hold a pen, if your hand lands higher up, you might not experience any difficulties (my mother has no problem writing with these pens), but I often hold a pen very close to the point, and it can be uncomfortable to re-adjust my grip whenever the edge digs into my finger. Sharpie has addressed these problems with two of its newer products, the Sharpie Pen Retractable, and Sharpie Pen Grip. I have yet to get the chance to try those, but I think I’d really like them. I’d also like to try Sharpie pens in different color inks, but, again, haven’t yet had the chance.

Sharpie pens of all kinds are available anywhere you buy office supplies.


Pocket Moleskine Review

No blog like this one would be complete without at least a few words on Moleskine notebooks. These are famous, found at the front of every Barnes and Noble store in the USA, heralded as the notebooks used by legends like Picasso and Hemingway. They’re overpriced, but have devoted users, a bit of a cult following, really. They come in different sizes and styles, and I’ve used a few of them personally. Explore the website for everything available, but I can only talk about the pocket-sized plain notebook, large-sized squared notebook, and large-sized, squared cahiers.

First up, the original: the pocket-sized plain notebook. Or perhaps ruled is the original….Anyway, this one’s pretty basic, let’s leave it at that. It’s 9×14 cm, ┬áblack oilcloth-over-cardboard cover stamped with a discrete “moleskine” on the back. 192 pages, an elastic band holding it closed, a ribbon bookmark, and a pocket in the back for mementos, I guess. I use mine to collect interesting quotes, for the most part. I write in it with Sharpie pens.

The good: The size is perfectly portable, and I can take it anywhere, ready at a moment’s notice. It has any number of uses, and takes up very little space. The pocket in the back is nice–it feels pretty sturdy, a good place for loose scraps of paper, like ticket stubs or something. I also like the elastic; it’s flat, unobtrusive, and useful. The pages are a nice color and texture, good to write on. It’s also nice that it’s a serious, plain black notebook, and not leather–I don’t buy or use leather. They also lie pretty flat, which is nice for a hardcover notebook.

The bad: You’re out of luck if you like to write on both sides of your paper. My Sharpie pens show completely through to the other side of the page, and even, very occasionally, bleed through to the next page, which is pretty much unacceptable in my opinion. Still, if you only write on one side of the page, it’ll suit you fine most of the time. The binding, and the way it’s put together in general, feels a little cheap, which I wouldn’t mind if these notebooks weren’t so outrageously expensive–$10.95 from the US manufacturer! I don’t get the feeling that these are nicely crafted or durable–they feel like they were made on an assembly line in China. Which, they were, but the price shouldn’t be so handmade-in-Italy, for this quality. The cover is also really rigid–this detracts from portability and functional portability.

The ugly: I absolutely hate the bookmark. In concept, a bookmark is necessary, and I like flat, satin-ribbon type bookmarks. The moleskine’s bookmark feels sort of like a shoelace. I guess it’s functional, but for something so supposedly world-class, it just isn’t what I’d expect. The first and last pages are also completely useless, bound in such a way that they don’t lie flat separate from the endpapers.

The verdict: These notebooks definitely have their flaws. They’re far from perfect, and I don’t really understand their cult status. They’re handy, but shouldn’t be half as expensive as they are, for the quality.